http://craftplatforms.org Craft Platforms Sun, 30 Aug 2020 02:32:30 +0000 en-GB hourly 1 https://wordpress.org/?v=5.5.11 https://craftplatforms.eecs.qmul.ac.uk/wp-content/uploads/2020/06/cropped-image-42-32x32.png http://craftplatforms.org 32 32 Case studies Tatara Huayao Cultural and Creative Studio https://craftplatforms.eecs.qmul.ac.uk/casestudies-tatara-huayao-cultural-and-creative-studio/ https://craftplatforms.eecs.qmul.ac.uk/casestudies-tatara-huayao-cultural-and-creative-studio/#respond Wed, 15 Jul 2020 15:21:52 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=5963

塔塔拉花瑶文创工作室

Tatara Huayao Cultural and Creative Studio

HIGHLIGHTS

  • 塔塔拉花瑶文创工作室主要做的是传统文化的传承与创新。其中以溆浦虎形山的花瑶挑花为代表,包括溆浦龙潭的当地传说,道教文化等。在传承传统文化的同时设计出符合当代潮流的作品。
  • 塔塔拉花瑶文创工作室采用互联网加实体的销售模式,是一家宣传传统文化,设计产品,生产产品,销售产品为一体的工作室。主要围绕花瑶民族风产品设计开发问题,重点进行研究设计和改良,开发出一系列旅游文化创意类产品,解决花瑶挑花手艺急需传承,带动和丰富当地旅游文化发展,解决瑶族地区劳动就业等问题进行实施。
  • 对传统文化的改良只是在传承的基础上让挑花融入现代生活之中,去繁为简让挑花更符合现代人的欣赏眼光。
  • Tatara Huayao Cultural and Creative Studio mainly carries on the inheritance and innovation of traditional culture. Among them are the Huayao picking flowers in Xupu Tiger-shaped Mountain, including local legends of Xupu Longtan and Taoist culture. While inheriting traditional culture, design works that meet contemporary trends.
  • Tatara Huayao Cultural and Creative Studio is based on the Internet plus entity as a sales model. It is a studio that promotes traditional culture, designs products, produces products, and sells products. Focusing on the design and development of Huayao ethnic style products, the company focused on research and design and improvement, and developed a series of creative products for tourism culture. It mainly solves the urgent need for inheritance of Huayao’s flower-picking skills, drives and enriches the development of local tourism culture, and solves labor and employment in Yao areas Implementation.
  • The improvement of traditional culture is based on the inheritance of letting pick flowers into modern life, and simplifying them to make pick flowers more in line with modern people’s appreciation.

BRIEF INTRODUCTION

图1: (左)塔塔拉花瑶文创工作室的标志,(右)谌鲲鹏本人和他的作品

Figure 1: (Left) Logo of Tatara Huayao Studio (Right) Chen kun peng himself and his work

2016 年,谌鲲鹏和同是服装设计师的妻子黄夏茵离开了大都市,回到怀化市溆浦县龙潭镇老家,成立了塔塔拉花瑶文创工作室,致力于挖掘本土的民族民俗元素,开发文化创意产品。宣扬一种从容淡定的生活方式,不媚不俗的人生态度。设计推出了花瑶风箱包、花瑶风服装、花瑶风布鞋、花瑶风工艺品等特色产品。现有设计师2人,生产工人10人。

工作室的实体店铺位于湖南省怀化市溆浦县龙潭镇新兴街。

In 2016, Kun Peng and his wife Huang Xiayin, who are also fashion designers, left the metropolis and returned to their hometown of Longtan Town, Xupu County, Huaihua City. The Tatara Huayao Cultural and Creative Studio was set up, dedicated to tapping the local folklore, developing cultural and creative products, and promoting a calm and calm way of life, a not bad attitude to life. They launched Huayao style bags, Huayao style clothing, Huayao style shoes, Huayao style handicrafts and other special products. There are 2 designers and 10 production workers.

The studio’s physical store is located in Xinxing Street, Longtan Town, Xupu County, Huaihua City, Hunan Province.

图 2:工作室部分成员 Figure 2: (Left) Studio overview

Figure 2: (Left) Studio overview

DIGITAL ‘TOUCH POINTS’

Use of Digital equipment

图案设计过程中均为纯手工。后期做衍生品设计时会用到高清印刷,热转印等相关技术。

  • 手绘板。用于手绘图案、插画等。
  • 手机。用于拍照、拍视频等。
  • 印刷机。将手图案印刷在产品上
  • 用数字设备把图样转印在布料上面。

 

The pattern design process is purely manual. Relevant technologies such as high-definition printing and thermal transfer are used when designing derivative products later.

  • Hand-painted board, iPad. Used for hand-drawn patterns, illustrations, etc.
  • Mobile phone. Used for taking pictures, videos, etc.
  • Printing press. Print hand patterns on products
  • Use digital equipment to transfer the pattern onto the fabric.

Use of Digital technologies

  • 激光刻字。用于产品定制
  • 挑战:(1)技术上的挑战,用烧热的铁扦,在椴木上烫出各种人物、山水花卉、飞禽走兽等纹样需要用不同的技法来表现。(2)艺术的创新。例如:如何将烙花与国画更好地结合,怎么样的形式更满足现代人的审美需求。
  • Laser lettering. For product customization.
  • Challenges: (1) Technical challenges. Using hot iron to iron various patterns such as figures, landscape flowers, birds and animals on the wood requires different techniques. (2) Art innovation. For example: how to better combine scented flowers with Chinese painting, and what form better meets the aesthetic needs of modern people.

Use of Social Media

  • 机会:(1)谌老师说“ 创作烙画的过程中开发了很多文创衍生品,丰富了文创产品的类目吧”(2)新的合作机会,例如在展览中一位顾客想购买花瑶风情的手工烙花作品作为自己民宿的装饰画。

 

  • Opportunities: (1) Teacher chen said, “Many cultural and creative derivatives have been developed during the creation of pyrographs, which has enriched the category of cultural and creative products.” (2) New cooperation opportunities, such as a customer who wants to buy handicrafts of Huayao style during the exhibition as decorative paintings of his homestay.

图3  (左)微信个人号,(右)微信公众号

Figure 3 (left) WeChat personal account, (right) WeChat public account

图4 朋友圈部分内容展示

Figure 4 Display of some content in wechat

图4(左)为新品设计开发(花瑶挑花+侗锦)的朋友圈。
图4(中)为在怀化市非遗馆的展示介绍。
图4(右)为道教文化衍生品(太极系列竹制陶瓷杯垫)的介绍。
Figure 4 (left) is a circle of friends for new product design and development (Hua Yao Picking Flowers + Tong Jin).
Figure 4 (middle) is an introduction of the non-heritage museum in Huaihua.
Figure 4 (right) is an introduction of a Taoist cultural derivative (Tai Chi series bamboo ceramic coasters).

图5 朋友圈部分内容展示

Figure 5 Part of the content in wechat

图5(左)为《龙之传说》第五幅作品的完成图。

图5(中)新作品《龙之传说》创作过程的一则小视频。

图5(右)背包衍生品的诞生过程。

Figure 5 (left) is a completed drawing of the fifth work in “Legend of the Dragon”.

Figure 5 (middle) A small video of the creative process of the new work “Legend of the Dragon”.

Figure 5 (right) The birth of backpack derivatives.

Online sales platform

网络销售平台:

  •  微信朋友圈推广;淘宝店铺。
  • 谌鲲鹏老师:“我们在销售这方面也找了很多的平台进行推广,以前还做过微博的账号,后面也因为各种原因搁置了,包括现在的微信公众号也是我和我妻子在做,做的比较简单,排版什么都是自己的设计,做什么内容也是自己决定。”

Online sales platform:

  • Promotion on WeChat circle of friends; Taobao stores.
  • Kun Peng: “We have also found a lot of platforms for promotion and sales. We have also used Weibo accounts before but it is suspended for some reason. My wife and I are also managing our WeChat subscription currently. It ’s relatively easy to do it. Everything you typeset is your own design. The content is also up to you. “

图6(左)微信号朋友圈推广产品,(右)淘宝店铺首页

Figure 6 (left) WeChat friends circle to promote products, (right) Taobao shop homepage

Use of digital software

  • 平面类设计软件。所有的原版烙花作品都是手工绘制。而在衍生品设计、宣传、包装等方面会运用到平面的软件,主要是ps。
  • Graphic design software. All the original pyrograph works are hand-painted. In the design, promotion, packaging and other aspects of derivative products, 2D softwares are used, mainly photoshop.

The challenges of applying digital platforms

  • 局限性。一是花瑶挑花这样独特文化的影响范围的局限性,二是工作室缺乏专业的运营推广人员。
  • “现在也有在抖音上面发布自己的作品,效果也还可以,我们淘宝店铺遇到的问题主要是走出了怀化这个地方,大家都不认识花瑶,更别说她们的文化了,大家可能只知道一些关于瑶族的东西,但是花瑶挑花就很少有人知道了,我们的店铺刚开始做了很多关于花瑶挑花的衍生品设计,但少有人购买,后面就下架了很多,现在店铺做的比较好的是道教文化的衍生品,因为道教这个文化是中国都有的,也很符合现代人的审美,但是在花瑶挑花这一块还是会继续做下去的。”
  • Limitations. The first is the limited influence of the unique Huayao’s culture, and the second is the lack of professional operation and promotion personnel in the studio.
  • “Now I have published my own work on Tiktok, and the effect is also okay. The problem encountered in our Taobao shop is mainly that, people out of Huaihua do not know Hua Yao, let alone their culture. People may only know a few things about Yao people, but few of them know about Huayao’s picking flowers (a Huayao culture). Our shop did a lot of derivative designs about Huayao’s picking flowers at the beginning, but few people bought them, and a lot of the products were removed later. Now the derivative products of of Taoist culture sale well, because Taoist culture is common in China, and it is also in line with the aesthetics of modern people. However, we will still continue doing picking flowers in Huayao. “

MORE DESCRIPTIONS

  • 销售情况:道教文化的衍生品系列卖的最好,文化知名度高,也能迎合当代人的设计审美。花瑶挑花系列的衍生品的主要销售渠道是政府采购,私人订制。
  • 如何在网上解释、传播你们的手工艺产品的价值?文化价值,自主品牌,原创设计,手工、工艺。
  • 您是否会在数字平台上学习手工艺技能或者数字技能?(例如看一些手工艺教程视频或者社交媒体推广教程、拍摄P图教程,等等。)具体会使用哪些平台进行学习呢?具体学习什么内容呢?会使用抖音,微信公众号,烙花学习交流群等平台学习手工艺技术。
  • Sales: Taoist culture’s derivative products are the best-selling products with high cultural awareness and can also cater to contemporary design aesthetics. The main sales channels of Huayao’s flower-picking derivatives are government procurement and private ordering.
  • How to explain and spread the value of your craft products online? Cultural value, independent brand, original design, handicraft, craft.
  • Do you learn craftsmanship or digital skills on a digital platform? (For example, watch some handicraft tutorial videos or social media promotion tutorials, tutorials about digitally altering photos, etc.) Which platforms do you use to learn? What are you studying? I use platforms such as tiktok, WeChat subscription, burning flower online learning group to learn handicraft technology.

SUMMARY

  • 塔塔拉花瑶文创工作室一方面对传统文化进行了传承与创新。另一方面通过开发出一系列旅游文化创意类产品,解决瑶族地区劳动就业等问题,带动并丰富了当地旅游文化的发展。
  • 在宣传传统文化,产品设计和改良、生产产品、宣传产品、销售产品方面都有比较完善的流程。
  • On the one hand, Tatara Huayao Cultural and Creative Studio has inherited and innovated traditional culture. On the other hand, through the development of a series of tourism cultural creative products, to solve the problems of labor and employment in the Yao ethnic area, it has driven and enriched the development of local tourism culture.
  • There are relatively complete processes in promoting traditional culture, product design and improvement, production, promotion, and sales.

CONTACT

WeChat personal account:SKP15118010710

WeChat public account:塔塔拉花瑶文创中心

Link to the latest article in WeChat public account:https://mp.weixin.qq.com/s/siUEi5GxgQhkjx9n6q-2CQ

Contact Us

Craftplatforms.org has been produced by the project research team at Queen Mary University of London, UK, and Hunan University, China.

Contact E-mail: contact@craftplatforms.org

For more information or to speak to the craft research team, please contact:

Prof. Nick Bryan-Kinns

n.bryan-kinns@qmul.ac.uk

School of Electronic Engineering and Computer Science
Queen Mary University of London
London E1 4NS

Prof. Hao Tan

htan@hnu.edu.cn

School of Design, Hunan University
Yuelu Mountain, Changsha

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Is it Appropriate to Have a Personal Brand? https://craftplatforms.eecs.qmul.ac.uk/is-it-appropriate-to-have-a-personal-brand/ https://craftplatforms.eecs.qmul.ac.uk/is-it-appropriate-to-have-a-personal-brand/#respond Fri, 25 Oct 2019 10:24:34 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=1854 Last week I received an email from a boutique owner with a very good question about personal branding. And because I (Kathleen here – hi!) secretly want to be a proper advice columnist I thought I’d share the original questions and my response here.

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How to Bring the Season into Your Marketing https://craftplatforms.eecs.qmul.ac.uk/how-to-bring-the-season-into-your-marketing/ https://craftplatforms.eecs.qmul.ac.uk/how-to-bring-the-season-into-your-marketing/#respond Wed, 09 Oct 2019 09:06:26 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=1677 It’s fall and everyone’s excited for sweater season and pumpkin-spice-everything! Us too! But latte cravings and wardrobe-layering aside—as professionals, marketers, and communicators, isn’t there something comforting about knowing what to expect from a season?

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Source: https://braidcreative.com/blog

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Do You Need a Business Coach or a New Brand? https://craftplatforms.eecs.qmul.ac.uk/do-you-need-a-business-coach-or-a-new-brand/ https://craftplatforms.eecs.qmul.ac.uk/do-you-need-a-business-coach-or-a-new-brand/#comments Wed, 09 Oct 2019 09:05:58 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=1675 Kathleen here and lately I’ve been receiving a lot of emails from creative entrepreneurs who aren’t sure whether they need a business coach or a brand platform. The short answer: you’re going to need both. So where do you begin? Do you hire a business coach? Or a branding agency? Let’s dig in.

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Creating a Cohesive Promotional Campaign https://craftplatforms.eecs.qmul.ac.uk/creating-a-cohesive-promotional-campaign/ https://craftplatforms.eecs.qmul.ac.uk/creating-a-cohesive-promotional-campaign/#respond Wed, 09 Oct 2019 09:05:29 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=1670 If you’ve been following the Braid blog for awhile, you probably understand the reasons why it’s important to have a cohesive brand presence – it makes your business look polished and professional, it attracts your dream customers, and brand consistency builds trust with your audience – just to name a few.

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How to Say No to A Dream Customer https://craftplatforms.eecs.qmul.ac.uk/how-to-say-no-to-a-dream-customer/ https://craftplatforms.eecs.qmul.ac.uk/how-to-say-no-to-a-dream-customer/#respond Tue, 03 Sep 2019 01:45:37 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=956 One of the best things you can do for your business is say no to clients who are a bad fit. Saying no to a bad fit clears not only mental space, but literal calendar space so you can say YES to the jobs that are a good fit – and in turn, deepen your creative expertise and the work you want to be known for.

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Source: https://braidcreative.com/blog

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Three Things That Threatens Your Brand https://craftplatforms.eecs.qmul.ac.uk/three-things-that-threatens-your-brand/ https://craftplatforms.eecs.qmul.ac.uk/three-things-that-threatens-your-brand/#respond Tue, 03 Sep 2019 01:43:31 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=953 If I had a rallying cry, it would be something along the lines of “Just be who you are 100% of the time!” I can’t help but believe that blending your true personality into the work that you do will make the world a better place—or at the very least make the desk you work at a better place.

Vague, confusing, and bland don’t instill a lot of confidence or trust in your dream customer—and that’s the whole point of a brand. Now, I feel like “vague,” “confusing,” and “bland” are my own worst nightmares, but they can also pose a big threat to your brand. Let’s dig into these monsters a little more and start to unpack how we can keep them out of our brands.

But the problem with bringing authenticity to your brand is if you don’t really know who you are, that will be reflected in your business as vague, confusing, and bland.

At first glance, Confusing is the opposite of Vague. They’re wearing something very fashion forward that you either absolutely love … or love to hate. Now, this is actually a really great branding tactic and an outward display of authenticity and being who you are. But Confusing’s problem isn’t his outward style—it’s how he talks about how he affords all the clothes (not to mention vacations to Dubai) he buys. 

Source: https://braidcreative.com/blog

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Standing Out In a Saturated Market https://craftplatforms.eecs.qmul.ac.uk/standing-out-in-a-saturated-market/ https://craftplatforms.eecs.qmul.ac.uk/standing-out-in-a-saturated-market/#respond Tue, 03 Sep 2019 01:42:59 +0000 https://craftplatforms.eecs.qmul.ac.uk/?p=455 Third them firmament give green Creature night first creature saying. Gathering the Days every had. I recently received an email from a follower of Braid who admitted to wanting a career path very similar to well, what we do here at Braid. And then she said this:

“I can’t do that, you [Braid] are already doing that.”

She followed up by asking for a no-nonsense response to how you make it in a saturated market where it feels like everyone is doing the thing you want to be doing. Whether you’re a coach, photographer, painter, marketer, leadership consultant – or even a whole team of people working toward a common goal – it can be easy to question whether you’re adding to the noise or actually contributing something special with your services and talent.

The feel-good response to this self doubt would be: “Only you can combine your personal + professional experience to offer something special (like a unique snowflake!) that nobody else can”

And while there’s truth to that sentiment, I can think of far more practical and straight-forward insights that will help you cut through the noise and stand out among your competitors. And that’s what I want to share with you today.

Source: https://braidcreative.com/blog

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